Okay, I'm going to ask you something. Were you actually ever in love with me? Yes. I... I think so. I mean, I certainly loved the idea of us. 'Cause I could have made it work. I could've. When I said I wanted to be monogamous with you, I meant it. I didn't want you to make a promise you couldn't keep. Fuck you. How'd you know I wouldn't keep it. Anyway, that's not why we broke up. We weren't right for each other. No, no no, no, no, no, no. How do you know that? I just did. I... I do. But you-- you didn't even try. You didn't even try. You moved in one day, you moved out the next. You didn't even fucking unpack. Listen, I admit that I handled that horribly, Yes,but I apologize for that. And... (sighs) Isn't it better to quit rather than drag out something that you know won't work? Okay, well, in a nutshell, there's your problem. What is? You, you, you. You quit, you run away. You don't take risks, ever. What are you talking about? I moved in with you. No, no, no, no, no. Patrick, the risk would have been trying to make it work. The risk would have been putting in the hard graft to make it work. Now, I-- I don't want to seem like a cunt,but you are a coward. Oh, I don't think that's fair. I couldn't trust you anymore. And I-- I don't know what hard graft means, but I don't think I've been a coward at all. Okay, well, I think the facts tell a very different story. Would a coward have moved to a different city? A new job? Left everything behind? You-- you basically moved home. And are you sure you didn't run away and not move away? They're two very different things. And what next? What next for Patrick Murray? Huh? When that doesn't work out, I'll bet you a million dollars, you're already looking for the next thing. You are. I know you. You run away and you are a coward. You were a coward with me. You were a coward with Richie. Enough, Kevin. Jesus. You hit a few potholes in the road and instead of trying to navigate through it, you slam your brakes on, you start crying and you run the other direction. Why would you do that for me? Seriously. After...everything? Well, because despite everything, Patrick, I just want you to be happy, man. Why? Why? 'Cause I love you. Look, don't stay in Denver. Come back. And you can take that from someone who moves around to constantly avoid dealing with things. It never works, but I think you know that already. 《橋頭風(fēng)景》時(shí) RT 有次接受采訪被問到在《尋》第二季最后為什么對(duì) Patrick 那么渣，他反駁到你在一段外遇中認(rèn)識(shí)的我，你應(yīng)該清楚我是怎樣的人，你應(yīng)該清楚自己在做什么，但 Patrick 的應(yīng)對(duì)顯然不夠成熟。 主持人辯不過只好說 “我們百老匯這群人就是看不得 Jonathan Groff 不開心嘛。” 現(xiàn)在看完電影才意識(shí)到 RT 對(duì)角色的理解一直都是對(duì)的。大家覺得 Kevin 渣是因?yàn)樽詈笫撬靡粋€(gè)吻打破曖昧的，但這不能代表 Patrick 就是兩人中更無辜的那個(gè)。之前的搭訕、加班、基友助攻等也不能讓人家裝傻裝不懂。 Kevin 和 Jon 分手后在門口等了一晚上，問 Patrick 愿不愿意給兩人一個(gè)機(jī)會(huì)的時(shí)候，Patrick 毫不猶豫的答應(yīng)了。但對(duì) Kevin 來說，真正的 take a shot 是 take a risk，是離開相處兩年的男友，是搬到一起住，是遇到問題時(shí)試圖解決，是在對(duì)方的要求下嘗試成為更好的自己而非瞬間變身為對(duì)方理想中的自己。Patrick 的逃避顯然是不夠成熟的。Patrick 說的 “我無法相信你了” 是個(gè)很好的理由，但是 Kevin 在咖啡廳說的每一句也都一針見血。 開始覺得一段對(duì)話就洗白了編劇好厲害... 后來才知道結(jié)局是一開始就定好的，再回頭聽兩個(gè)人剛在一起時(shí)那首結(jié)尾配樂的歌詞都是和最終的人設(shè)相呼應(yīng)的： Sweetheart may not be easy But we're trying hard to hold on Trying to make it better And I said baby you set my soul on fire I got two little arms To hold on tight and I wanna take it higher Baby you never should say never I got a hurricane inside my veins and I wanna stay forever 雖然沒在一起但還是覺得 Kevin 和 Patrick 這對(duì)已經(jīng)是劇里所有關(guān)系中設(shè)定和刻畫的最深入完整的。